I feel like there is this unspoken pact between all film reviewers that its not okay to enjoy junk food. It’s understandable though, Rampage is a very flawed movie if you’re looking at it through a purely critical lens. Rife with nit picks and hardly a plot to be seen, it’s exactly the kind of movie that I sometimes relish the opportunity to just leave my brain at the door, and enjoy the ride as much as the people involved with it obviously are.
Take one part Pacific Rim mix it with some Starship Troopers then add a dash of Edge of Tomorrow. Mix it all into Advance Wars/X-Com like combat and this is what you end up with. Into The Breach is the second game from Subset Games, and the followup to FTL: Faster than Light, a game spoken about on this blog none too long ago.
The question that was always going to be posed towards Jessica Jones’ second series was “how the hell do you follow a villain like Killgrave?”. The short answer, as it turns out, is that you don’t.
Netflix’s continuity of Marvel super hero shows has consistently been of a grittier tone, dealing with darker subject matter than the comparatively light and fluffy movies won’t go near. Stepping away from the bright, larger than life threats the movie heroes deal with and taking a heavier focus on more mature themes. Themes such as race, obsession, addiction, PTSD and morality. None of the shows delves deeper into these themes than Jessica Jones did. After The Punisher returned to the strengths of these series following a wobble, Jessica Jones doubles down on them.
Now that I’m finished spending far, far too much time talking about the 20 things I liked and disliked about Dragon Ball Super, I can now go into a more final summation of my thoughts on the series. One where I don’t feel the need to gush about how much I like Toppo or that time Goku used his Kamehameha to grind up another beam attack. Again, this is going to talk about the end of Dragon Ball Super, so spoilers if you don’t like subtitles.
I don’t usually much care about live action adaptations of Anime. These past few years a number of them have come to my attention, and word of mouth generally make consensus; they’re bad. There is something about the inherently over the top mannerisms and animation of these shows that makes a transition into live action a tough sell for me personally. In this instance, the timing just so happened to line up. I had just finished watching Fullmetal Alchemist Brotherhood on Netflix and low and behold a live action version popped up on there too. I wasn’t quite ready to be done with the series so I thought I’d give it a go.