I’m just going to come out and say it: I don’t think 2011’s Thor has aged that well. Not to say it’s particularly out of touch or dated in itself, rather it feels like a tonal misstep that the franchise eventually goes on to self right in the late movies in the franchise. Looking at the movie objectively, it’s a perfectly serviceable action movie that mixed fantasy and science fiction, it’s just that the direction the series took ended up leaving this movie looking like the odd one out.
Guess I’m going to be reviewing these after all. After saying his farewells to his old sensai, we kick right off in episode six with Tanjirou arriving in the town to the north with the goal of dealing with the demon that’s been abducting young girls. As per usual, we’re wasting no time with getting right into the meat of things.
I hadn’t initially intended on writing this at all, in fact this whole thing about silent protagonists in video games was only ever intended to be a single part, but it kept ballooning in size to the point there I felt I had to break it into parts.
If you don’t know what I’m talking about; In Part 1: I talk about how the Legend of Zelda and Metroid both took different approaches as time and technology grew, and in Part 2: I spoke about how the trend feels really dated when it pops up in modern, story driven RPGS.