A while back, when I was first getting back into watching anime and reading manga, I wrote a post talking about the romantic comedy genre, specifically, the harem style of story and my frustrations with it. They were the words of a person not yet versed in the tropes and archetypes that comes from well-worn genre.
That being said, I still feel like they’re words that come from an honest place. Now that time has passed and two of my favourite examples of the genre have ended, I thought I might return to the subject and do a follow-up to it. Bare in min though; I’m older, but non the wiser.
I think Lord Beerus said it best; Like Goku, the Dragon Ball Super Manga can’t stick a landing for its life. While I’ll admit that the ending to the Moro/Galactic Patrol arc hasn’t been the worst Super has produced, it does carry the same old problems as the other story arc’s in the series. Mainly in that, it loses its primary antagonist as a character along in the mix.
While Moro started off the story as a unique and interesting villain, it seemed inevitable that he would simply blend into the background by the time his story was over.
Of all the anime I’ve been watching this season, there’s only one that has really intrigued me. Which is rather fitting considering that intrigue is the name of the game when it comes to Moriarty the Patriot. Despite enjoying watching the first five episodes, it still felt like there was something missing. Moriarty had quickly been painted as this near omnipotent mastermind, but there’s only so long he can be on top before things become stale.
He needed someone to challenge him, someone to rival him.