Disney seems like an insatiable eating machine, taking in other companies at a worrying rate, leading us ever closer to the megacorporation future so many of our favourite dystopian science fiction movies and books predicted. It’s not all bad though, Because Disney’s aquitisiton of 20th Century Fox for a staggering $52.4 last year means that Marvel movie fans get to see their favourite properties back together again. That’s a decent trade for an inevitable cyberpunk future. Right?
While most people’s initial gut reaction would be how the new status quo would affect the upcoming X-Men and Deadpool movies, I’m going to pose a different question: How could the MCU salvage the Fantastic Four from the near unsalvageable position that the previous three movies have left Marvel’s first family. And potentially how soon could the group find themselves in the mix after Infinity War.
Continue reading “How the MCU could salvage the Fantastic Four”
I can’t think of a more unlikely sequel than Pacific Rim Uprising. As much as I liked Guillermo Del Toro’s foray into bringing his childhood to the big screen, Pacific Rim never felt like it lit the world on fire after the pretty aggressive hype train leading up to its release. The fact that it got a sequel at all is pretty astounding. It’s only when you start to delve into the production behind the upcoming movie that you realise how little in common it actually has to the original cult favourite.
Before I start telling you how Uprising is different, I need to talk a little about the first Pacific Rim. Just to contextualise why this sequel might not be what you expect, something that a lot of people might have wildly different feelings about considering the divided opinion on the that 2013 summer blockbuster.
Continue reading “Pacific Rim Uprising might not be what you think”
There have been awful, terrible rumours for a while that American film studios have been very interested in making a Super Mario movie. I, like most people, have pushed these thoughts far to the back of my mind. Because, as we all know; movies based on video games are terrible. Then it happened, no amount of denial was ever going to keep this idea from coming to fruition it seems, and Universal Pictures have apparently secured a deal to make a Super Mario movie. And which Studio is making it? Illumination Entertainment. Yes, that’s right. The people behind the Minions might be making a Mario movie.
Okay, okay. Let’s not jump the gun just yet. In a recent financial Q&A session, Shigeru Miyamoto stated that this project is still in talks and if neither company can agree on a direction for the project then they have no issue canning the entire thing. “Calling it quits” were the words used. Before you think you know where this is going, I’m not exactly against the idea of there being a western made movie based on Nintendo’s mascot. It’s just that when it comes to combining these properties with kid’s movies, things don’t tend to go well for anyone.
Continue reading “How to make a Super Mario Movie”
I actually started writing this piece as soon as the Infinity War trailer dropped In November, but like so many other things, it got left on the back burner. It was having a conversation with a friend at work about how behind I am on CW’s Arrow, Flash, Supergirl and Legends of Tomorrow series that I found myself revitalised to come back and finish this post. Not that I needed to go back and catch up on all those shows and a half a dozen others, it’s that I think I’m okay missing them now. As great as it is, finally having all the characters from the comics I read growing up starring in their own movies, I think I’m finally at the point where I’m okay not consuming all of it.
This metaphorical snowball of comic book sourced content is only about half way down the mountain at the moment. As it continues to roll down hill, it gets bigger and picks up speed as it goes. It’s been doing this for a while now, since the huge hit that was the first Avengers. It was this that instigated the announcements of TV show spin-offs and the move up to two, and then three, movie releases a year. Then other companies like Fox stepping up to take advantage of the properties they own, not even getting into the treasure trove that is the DC intellectual property. Everyone wanted a piece and there was a lot of it to go around.
Continue reading “Infinity War should be The End”
A couple of new trailers dropped this week for two movies I should probably be pretty excited for. The problem is, Hollywood is just becoming less and less subtle about how hard they’re relying on nostalgia to keep people coming to see movies. Both the trailers for the adaptation of Ready Player One and Jurassic World 5/Fallen Kingdom popped up on Youtube and I felt more annoyed than excited after seeing them.
I’m at the point in my life now where all the things I enjoyed growing up have become mainstream again, because the people like me who enjoyed them growing up are now the people behind them. But rather than do anything new or interesting with these properties, large media producers are just banking on the fact that nostalgia itself is going to be enough to sell their product as it is. Why make something new or original when you can just point and say “Hey, remember this thing from when you were a kid? Us too! How exciting.” Continue reading “Ready Player One: The Weaponisation of Nostalgia”